Abstract

The author provides an overview of the many consequences that the arrival of electroacoustic music has produced on musical material and discusses the advantages of an interaction between manifest instrumental and “subjacent” electroacoustic writing. By writing, the author means the compositional processes themselves, His discussion ranges from the use of particular harmonic techniques to the revolutionary role that time expansion plays in obtaining a deeper perception and evaluation of the sound phenomena. The author uses some of his works to exemplify the compositional aspects discussed.

pdf

Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 3-10
Launched on MUSE
2016-07-06
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.