1996 Index: Leonardo Volume 29 and Leonardo Music Journal Volume 6

LeonardoVolume ARTISTS’ ARTICLES AND NOTES AYERS, LYDIA. “Merapi:A Composition for Gamelan and Computer-Generated Tape,” LeonardoMusicJournal 6 (1996). BERTOL,DANIELA. “Architectureo f Zmages :An Investigation of Architectural Representations and the Visual Perception of Three-Dimensional Space,”29, No. 2 (1996). Press That Button,”in Special Issue ‘TheFourth Annual New York Digital Salon,” 29, No. 5 (1996). JACQUELYN FORD. “Virtopia:Emotional Experiences in Virtual Environments ,”29, No. 2 (1996). JENNINGS, PAMELA. “Narrative Structures for New Media: Towards a New Definition,” in Special Issue “The Fourth Annual New York Digital Salon ,’’29, No. 5 (1996). Rara Avix Telepresence Art on the Internet” (with a technical appendix by Ed Bennett), in Special Issue ‘The Fourth Annual New York Digital Salon,” 29, No. 5 (1996). KAVINA, LYDIA. “MyExperience with the Theremin,”in Special Section “Leon Theremin, Pioneer of Electronic Art,” LeonardoMusicJournal 6 (1996). THOMADAKI, KATERINA. “The Feminine, the Hermaphrodite, the Angel: Gender Mutations and Dream Cosmogonies in Multimedia Projection and Installation (1976 1994),”29, No. 4 (1996). LAZIZA, KATHLEEN. “Laziza Videodance and Lumia Project: The Intersection of Dance, Technology and Performance Art,” 29, No. 3 (1996). LEONARD, NEIL, 111. “APersonal A p proach to ContemporaryJazz: Works for Saxophone and Computer-Controlled Electronics,” LeonardoMusic Journal 6 (1996). O’ROURKE,KAREN. “Pan‘sZseau: Paris Network,” 29, No. 1 (1996). COSTELLO,MATTHEWJ. “Don’t GOSLIN,MIKE, and MORIE, KAC, EDUARDO. “Omitmn’ncoand KLONARIS, MARIA, and 29 and Leonardo Music PROPHET, JANE. “Sublime Ecologies and Artistic Endeavors: Artificial Life and Interactivity in the Online Project Technosphere,” in Special I s sue “TheFourth Annual New York Digital Salon,” 29, No. 5 (1996). SCHWARTZ, LILLIAN F. “Computers and Appropriation Art: The Trans formation of a Work or Idea for a New Creation,”29, No. 1 (1996). SUMMERS,DENNIS. “Presenting Scientific Concepts with Forms and Methods from Primal Cultures: Mixed Media and Installation Works,”29, No. 4 (1996). WARDRIP-FRUIN,NOAH. ‘Writing Networks: New Media, Potential Literature ,”in Special Issue “The Fourth Annual New York Digital Salon ,“29, No. 5 (1996). WENNBERG, TERESA. ‘Through the Electronic Labyrinth: The Meanderings of a Visual Artist,” 29, No. 3 (1996). WORTZEL,ADRIA”E. “Cyborgesian Tenets and Indeterminate Endings: The Decline and Disappearance of Destinyfor Authors,” in Special Issue “The Fourth Annual New York Digital Salon,” 29, No. 5 (1996). GENERAL, TECHNICAL, HISTORICALAND THEORETICALARTICLES AND NOTES AMES, CHARLES. ‘Thresholdsof Confidence : An Analysis of Statistical Methods for Composition: Part 2: Applications,” LeonardoMusicJournal 6 (1996). Revisited,”in Special Issue “The Fourth Annual New York Digital Salon ,”29, No. 5 (1996). BRIANJ. “Automated Composition from Computer Models of Biological Behavior,”LeonardoMusicJournal 6 (1996). CHADABE,JOEL. “The History of Electronic Music as a Reflection of Structural Paradigms,” LeonardoMusic Journal 6 (1996). ARIKE, ANDO. ‘The ‘Two Cultures’ BROOKS,STEPHEN, and ROSS, Journal Volume 6 CORCORAN,MARLENA. “Digital Transformations of Time: The Aesthetics of the Internet,” in Special Issue “TheFourth Annual New York Digital Salon,”29, No. 5 (1996). DOUGLAS, J. YELLOWLEES. ‘Virtual Intimacy and the Male Gaze Cubed: Interactingwith Narratives on CDROM ,”29, No. 3 (1996). GAROIAN, CHARLES R., and MATHEWS,JOHN D. “ACommon Impulse in Art and Science,”29, No. 4 (1996). GESSERT, GEORGE. “BastardFlowers,” 29, No. 4 (1996). GOLDSTEIN,LAURENCE. “Reflexivity, Contradiction, Paradox and M.C. Escher,”29, No. 4 (1996). Phenomenological View of Computer SystemsDesign,”29, No. 3 (1996). Bearded Lady and the Shaven Man: Mona Lisa, Meet Mona Leo,” in Special Issue “TheFourth Annual New York Digital Salon,”29, No. 5 (1996). LUCAS,ADAM.“Indigenous People in Cyberspace,” 29, No. 2 (1996). MALINA, ROGER F. “MoistRealities: The Arts and the New Biologies,”in Special Issue ‘TheFourth Annual New York Digital Salon,” 29, No. 5 (1996). MULDER, AXEL. “Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design,” LeonardoMusicJournal 6 (1996). NESTURKH, NATALIA. “TheTheremin and Its Inventor in TwentiethCentury Russia,”in Special Section “Leon Theremin, Pioneer of Electronic Art,” LeonardoMusicJournal 6 (1996). PETROV, VLADIMIR M. “Quantitative Estimates of Left-and Right-Hemispherical Dominance in Art,” 29, No. 3 (1996). PIZZORUSSO,ANN. “Leonardo’sGeology : The Authenticity of the Virgin o f theRocks,” 29, No. 3 (1996). SOFIA, Zot. “Contested Zones: Futurity and Technological Art,” 29, No. 1 (1996). HYBS, IVAN.“Beyondthe Interface: A LAFARGE, ANTOINETTE. “The Q 1996ISAST LEONARD0 MUSIC JOURNAL...