1994 Bibliography: Leonardo Volume 27 and Leonardo Music Journal Volume 4

1994 BIBLIOGRAPHY Leonardo Volume 27 and Leonardo MusicJournalVolume 4 ABSTRACTS BERZINA, DAINA. "Daina," Prometheus: Art, Science and Technology in the Former Soviet Union, Special Issue: 27, No. 5 (1994). BROWN, SHELDON. "The Vorkapitchulator" 27, No. 4 (1994). CAJVANO,JOSE LUIS. "Sidelights on Visual Texture," 27, No. 2 (1994). DEMIAUX, BERNARD. "Binarisation Performances: Direct Intervention on the Digital Networks," 27, No. 2 (1994). DEUTSCHJOHANNES. "Symbiosis of Film and Painting," 27, No. 4 (1994). DONNEUX, JACQUES. "Electrostatic Painting," 27, No. 1 (1994). FOREST, FRED. "Les Miradors De La Paix (The Watchtowers of Peace)," 27, No. 2 (1994). GALEYEV, BULAT M. "Bright Heads of Bright People," 27, No. 1 (1994). GIMAZUTDINOV, KAMIL N., and SAIFULLIN, RUSTEM F. "Magical Kaleidophony," Prometheus: Art, Science and Technology in the Former Soviet Union, Special Issue: 27, No. 5 (1994). HASHIMOTO, SOZO. "Computer-Gen­ erated Universal Mandalas," 27, No. 2 (1994). INFANTE, FRANCISCO. "An Artifact for the Rhein-Main-Dounan Canal," Prometheus: Art, Science and Technology in the Former Soviet Union, Special Is­ sue: 27, No. 5 (1994). KRAFT, URSULA. "TimeTunnel," 27, No. 4(1994). LANIN, AUGUST. "The Temple of All Saints Project," Prometheus: Art, Science and Technology in theFormer Soviet Union, Special Issue: 27, No. 5 (1994). MONROE, WILLIAM F. "Flight Pat­ terns," 27, No. 1 (1994). PADFIELD, GREG. "Chaos Design Soft­ ware," 27, No. 1 (1994). SCOTT, JILL. "Paradise Tossed," 27, No. 1 (1994). STOCKER, GERFRIED, and HÖRTNER, HORST. "Winke Winke: A Project on the Transmission of Messages," 27, No. 4 (1994). STUCHEBRJUKOV, BORIS. "RazorFab­ ric: The Concept of a Flexible RazorBlade Structure," Prometheus: Art, Sci­ ence and Technology in the Former Soviet Union, Special Issue: 27, No. 5 (1994). VAN ALLYN, KIRK. "The Contextualizer: A Sculptural Aid for Visualizing Complex Subjects," 27, No. 1 (1994). ART/SCIENCE FORUM ALLEN, REBECCA; BROWN, BILL; GALLOWAY, KIT; ISKIN, RUTH E.; RABINOWITZ, SHERRIE; and SINGER, ALEX. "Design and Enter­ tainment in the Electronic Age," 27, No. 4(1994). GALEYEV, BULAT M. "Farewell Prometheus Readings: Light-Music in the Former Soviet Union," 27, No. 4(1994). GALEYEV, BULAT M. "'Prometei' in the Stalin Catacombs: Festival of Light, Prague, CSFR, 28 July-4 Au­ gust 1991," Prometheus: Art, Sdence and Technology in the Former Soviet Union, Special Issue: 27, No. 5 (1994). GALEYEV, BULAT M. "Russian Confer­ ence on Computer Art," 27, No. 1 (1994). LEVY, ELLEN K. "Complexity," 27, No. 1 (1994). MEIERHOFER, CHRISTINE. "UNITn," 27, No. 1 (1994). ARTISTS' ARTICLES DARTON, ERIC. "Free City and the Art of Memory: The Novel as Artificial Reality," in Special Section "Virtual Reality: Venus Return or Vanishing Point," 27, No. 4(1994). DOVE, TONI. "Theater Without Ac­ tors—Immersion and Response in Installation," in Special Section 'Vir­ tual Reality: Venus Return or Vanish­ ing Point," 27, No. 4 (1994). HSU, NAI-WAI. "Huan Shi and Virtual Reality," in Special Section "Virtual Reality: Venus Return or Vanishing Point," 27, No. 4(1994). NOLL, A. MICHAEL. 'The Beginnings of Computer Art in the United States: A Memoir," 27, No. 1 (1994). O'SULLIVAN, DAN. "Choosing Tools for Virtual Environments," in Spe­ cial Section "Virtual Reality: Venus Return or Vanishing Point," 27, No. 4 (1994). PETIT, M.R. "The Mutant Gene and Tainted Kool-Aid Sideshow," in Special Section "Virtual Reality: Venus Re­ turn or Vanishing Point," 27, No. 4 (1994). PRAVDYUK, YURYALEKSEYEVICH. "Musical Light-Painting and the Phe­ nomenon of Form-Movement," Prometheus: Art, Science and Technology in theFormer Soviet Union, Special Is­ sue: 27, No. 5 (1994). SALAT, SERGE, and LABBE, FRANCOISE. 'The Fractal Cube and the Paradigm Shift in Art and Sci­ ence," Art and Science: Similarities, Differences and Interactions, Special Is­ sue: 27, No. 3 (1994). SHAWJOYCE CUTLER. "The Anatomy Lesson: The Body, Technology and Empathy," 27, No. 1 (1994). SNELSON, KENNETH. "An Artist's Atom," Art and Sdence: Similarities, Differences and Interactions, Special Is­ sue: 27, No. 3 (1994). STEINBERG, ROBERT. "Self-Similar Structures that Amplify Natural Pat­ terns within Paint, and the Feelings They Awaken in the Artist," 27, No. 2 (1994). ARTISTS' NOTES CELMS, VALDIS. "The Dialectic of Mo­ tion and Stasis in Kinetic Art," Prometheus: Art, Sdence and Technology in the Former Soviet Union, Special Is­ sue: 27, No. 5 (1994). CURRAN, ALVIN. "Musicfrom the Center of...