Abstract

Springtime (Tron Theatre, Glasgow, 19 May 2012) was a computationally mediated theatrical performance involving Arab and Glaswegian-Arab actors and musicians. The project was produced by Ankur Theatre Productions, Scotland’s foremost black and ethnic minority theatre company. Springtime was directed by the dramaturge Shabina Aslam. Against the backdrop of the “Arab Spring” and its aftermath, the play explored issues of authenticity and identity as mediated through multiple technologies. This paper explores the impact and significance of the production and evaluates the use of Skype, social media and custom-made software in the writing, rehearsal and final performance stages of the play.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 284-285
Launched on MUSE
2015-06-11
Open Access
No
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