Abstract

Mapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization because it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 280-281
Launched on MUSE
2015-06-11
Open Access
No
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