Abstract

Germany’s FIDENA puppetry festival’s provocative offerings, with shows drawn from visual arts and dance, without traditional puppets at their center, prompts reflections on the shifting boundaries of puppetry arts, the new notion of “material performance,” and, within this new rubric, the continuance of elements essential to puppetry.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 164-169
Launched on MUSE
2015-05-30
Open Access
No
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