Abstract

Set in a digital future of virtual realms and imagined spaces, Jeremy Herrin’s production of Jennifer Haley’s The Nether questions what it might mean to exist outside of consequence. Blurring the lines between virtuality, reality, and theatricality, The Nether demands that we reconsider just how we make sense of the world and ourselves.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 157-163
Launched on MUSE
2015-05-30
Open Access
No
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