Abstract

At a moment when site-specific installations, urban soundwalks, immersive environments, and participatory experiences have (yet again) become popular, Jim Findlay’s Dream of the Red Chamber stands in sharp contrast, embracing what seems like the most passive state—sleep. Is it possible, via a sleep-inducing performance, to become conscious of our own letting go?

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 151-157
Launched on MUSE
2015-05-30
Open Access
No
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