Abstract

A contemporary restaging of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu in the style of Parsi theatre raises questions about postcolonial mimicry, hybrid theatre forms, and the vicissitudes of reviving traditional theatre in India.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 9-45
Launched on MUSE
2015-05-30
Open Access
No
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