Contributors
- Contributors
matthew n. hannah is a Ph.D. candidate at the University of Oregon where he is finishing his dissertation, “Networks of Modernism: Toward a Theory of Cultural Production,” which examines the different networks of exchange and collaboration that characterize modernism before World War I. His research interests include British, Irish, and American modernism; periodicals and little magazines; and digital humanities. His article on the Harlem Renaissance little magazine Fire!!, “Desires Made Manifest: The Queer Modernism of Wallace Thurman’s Fire!!,” is forthcoming from The Journal of Modern Literature. He has also contributed to a digital “ versioning” edition of Virginia Woolf’s essay “The Mark on the Wall” for Scholarly Editing, which allows readers to compare different versions of the text edited by Woolf and critically comments on some of the major alterations.
alexander howard is an Adjunct Associate Lecturer at the Centre for Modernism Studies in Australia (University of New South Wales). He has published on modernist poetry, periodical culture, queer theory, and contemporary American fiction. His work is forthcoming in Modernism/Modernity, Cercles: Revue Pluridiscipinaire du Monde Anglophone, and The Bloomsbury Handbook to Modernist Literature (all 2015), and appears in the second volume of the Oxford Critical and Cultural History of Modernist Magazines (2012), Transgression and its Limits (2012), and U.S. Studies Online (2011). He is currently editing a collection of commentaries on Ezra Pound’s Thrones and is working on a monograph entitled Charles Henri Ford, Camp, and Modernism.
carey snyder is Associate Professor of English at Ohio University and the author of British Fiction and Cross-Cultural Encounters: Ethnographic [End Page 251] Modernism from Wells to Woolf (Palgrave, 2008). Her recent work, on Katherine Mansfield, Beatrice Hastings, and others, has appeared in collections such as Modernism and Nostalgia as well as in the Journal of Modern Periodical Studies. She is also the editor of the forthcoming Broadview Edition of H. G. Wells’ Ann Veronica.
margaret d. stetz is the Mae and Robert Carter Professor of Women’s Studies and Professor of Humanities at the University of Delaware. Her books include monographs (British Women’s Comic Fiction, 1890–1990), exhibition catalogues (Gender and the London Theatre, 1880–1920; and Facing the Late Victorians), co-edited essay collections (Michael Field and Their World; and Legacies of the Comfort Women of WWII), and co-authored exhibition catalogues (The Yellow Book; England in the 1890s; and England in the 1880s). She has curated numerous exhibitions related to Victorian art, literature, and publishing history at venues such as the Henry B. Plant Museum (Tampa, FL); the National Gallery of Art Library (Washington, DC); the Grolier Club (NYC); Houghton Library (Harvard University, Cambridge, MA); and, in 2015, the Rosenbach Museum and Library (Philadelphia).
daniel worden is Associate Professor of English at the University of New Mexico. He is the author of Masculine Style: The American West and Literary Modernism (Palgrave Macmillan, 2011; paperback, 2013), which received the Thomas J. Lyon Book Award in Western American Literary and Cultural Studies. He is the coeditor of Oil Culture (University of Minnesota Press, 2014), and his work on modernism in the southwest has also appeared in the journal Criticism. [End Page 252]
