Abstract

Continuing the endeavors for more detailed and nationally diverse studies of “silent” film sound, this article explores the deployment of the singing voice in Vienna’s movie theaters, discussing the city’s specific preconditions for cinema sound and the resulting proliferation of vocal performances in film exhibition focusing on the years 1913 to 1923.

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Additional Information

ISSN
1940-7610
Print ISSN
2167-8464
Pages
pp. 19-36
Launched on MUSE
2015-04-20
Open Access
No
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