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  • Books Received

Theatre Journal publishes primarily reviews of scholarly works of theatre criticism, history, and theory. All books received are listed here as a courtesy to publishers. Listing does not preclude subsequent review. Interested reviewers should send a resume and a letter indicating areas of expertise to the Book Review Editor, Ryan Claycomb, Dept. of English, Colson Hall, West Virginia University, PO Box 6296, Morgantown, WV 26506, 304-293-9710, or via e-mail: Titles preceded by an “*” have been assigned to reviewers; titles preceded by a “**” are reviewed in this issue.


Albright, Daniel, ed. Great Shakespeareans: Berlioz, Verdi, Wagner, Britten, vol. 11. London: Arden Shakespeare, 2014; pp. 242.
Bartolovich, Crystal, David Hillman, and Jean E. Howard, eds. Great Shakespeareans: Marx and Freud, vol. 10. London: Arden Shakespeare, 2014; pp. 222.
Bloom, Arthur W. Edwin Booth: A Biography and Performance History. Jefferson, NC: McFarland, 2013; pp. 358.
Brevard, Lisa Pertillar. Whoopi Goldberg on Stage and Screen. Jefferson, NC: McFarland, 2013; pp. 264.
Brotherton, Jamie, and Ted Okuda. Dorothy Lee: The Life and Films of the Wheeler and Woolsey Girl. Jefferson, NC: McFarland, 2013; pp. 188.
Carpenter, Charles A. Bernard Shaw and Gilbert Murray. Selected Correspondence of Bernard Shaw. Toronto: University of Toronto Press, 2014; pp. 296.
Cohen, Robert. Falling into Theatre . . . and Finding Myself. McKinleysville, CA: Fithian Press, 2014; pp. 238.
Craig, George, et al., eds. The Letters of Samuel Beckett, 1957–1965. Cambridge: Cambridge University Press, 2014; pp. 772.
Crespy, David. Richard Barr: The Playwright’s Producer. Carbondale: Southern Illinois University Press, 2013; pp. 292.
Cummings, Scott T. Maria Irene Fornes. Abingdon, UK: Routledge, 2012; pp. 232.
DeRochi, Jack E., and Daniel J. Ennis, eds. Richard Brinsley Sheridan: The Impresario in Political and Cultural Context. Lewisburg, PA: Bucknell University Press, 2013; pp. 308.
Desai, R. W., ed. Shakespeare the Man: New Decipherings. Madison, NJ: Fairleigh Dickinson University Press, 2014; pp. 278.
Digaetani, John Louis. Richard Wagner: New Light on a Musical Life. Jefferson, NC: McFarland, 2014; pp. 218.
Dudeck, Theresa Robbins. Keith Johnstone: A Critical Biography. London: Bloomsbury, 2013; pp. 218.
Eichenbaum, Rose. The Director Within: Storytellers of Stage and Screen. Middletown, CT: Wesleyan University Press, 2014; pp. 284.
Elsam, Paul. Stephen Joseph: Theatre Pioneer and Provocateur. London: Bloomsbury, 2014; pp. 202.
Hammett, Chad, ed. Two Prospectors: The Letters of Sam Shepard and Johnny Dark. Austin: University of Texas Press, 2013; pp. 400.
Holland, Peter, ed. Great Shakespeareans: Garrick, Kemble, Siddons, Kean, vol. 2. London: Arden Shakespeare, 2014; pp. 218.
King-Dorset, Rodreguez. Black British Theatre Pioneers: Yvonne Brewster and the First Generation of Actors, Playwrights, and Other Practitioners. Jefferson, NC: McFarland, 2014; pp. 220.
Kolin, Philip C., and Harvey Young, eds. Suzan-Lori Parks in Person: Interviews and Commentaries. Abingdon, UK: Routledge, 2014; pp. 228.
Lemon, Ralph. Come Home Charlie Patton. Middletown, CT: Wesleyan University Press, 2013; pp. 230.
Lloyd, Stephen. Constant Lambert: Beyond the Rio Grande. Woodbridge, UK: Boydell Press, 2014; pp. 584.
Mansbridge, Joanna. Paula Vogel. Ann Arbor: University of Michigan Press, 2014; pp. 222.
Marranca, Bonnie. Conversations with Meredith Monk. New York: PAJ, 2014; pp. 130.
Parker, Stephen. Bertolt Brecht: A Literary Life. London: Bloomsbury, 2014: pp. 690.
Poole, Adrian, ed. Great Shakespeareans: Joyce, T. S. Eliot, Auden, Beckett, vol. 7. London: Arden Shakespeare, 2014; pp. 226.
———. Great Shakespeareans: Scott, Dickens, Eliot, Hardy, vol. 5. London: Arden Shakespeare, 2014; pp. 212.
*Senelick, Laurence, ed. and trans. Stanislavsky: A Life in Letters. Abingdon, UK: Routledge, 2014; pp. 654.
Shelley, Peter. The Life and Films of Sandy Dennis. Jefferson, NC: McFarland, 2014; pp. 224.
Zeruk, James, Jr. Peg Entwistle and the Hollywood Sign Suicide: A Biography. Jefferson, NC: McFarland, 2014; pp. 246.
Zimmers, Tighe E. Lyrical Satirical Harold Rome: A Biography of the Broadway Composer-Lyricist. Jefferson, NC: McFarland, 2014; pp. 264. [End Page 164]


Butterworth, Philip, and Katie Normington, eds. European Theatre Performance Practice, 1400–1580. Farnham, UK: Ashgate, 2014; pp. 552.
Climenhaga, Royd, ed. The Pina Bausch Sourcebook: The Making of Tanztheater. Abingdon, UK: Routledge, 2013; pp. 348.
Connington, Bill. Physical Expression on Stage and Screen: Using the Alexander Technique to Create Unforgettable Performances. London: Bloomsbury, 2014; pp. 186.
Davis, Jim, ed. European Theatre...


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