Abstract

This essay examines the traumatic transformation of Crane’s young protagonist in battle. It argues that this metamorphosis is brought on by the technologies on the battlefield and the youth’s outdated expectations about their speed. Further, it explores how Crane deploys tropes of mechanical and media technologies—especially the phonograph and the camera—to describe the protagonist’s psychically dissociated state and to account for the processing of traumatic memories. It closes by demonstrating that The Red Badge of Courage deploys metaphors of technology as a way to demonstrate the continuing relevance of the novel as genre in the face of rapidly evolving media ecologies.

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