Anderson, Judith H. and Jennifer C. Vaught, eds. Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary. New York: Fordham UP, 2013.
Banks, Fiona. Creative Shakespeare: The Global Education Guide to Practical Shakespeare. New York: Bloomsbury, 2014.
**Barker, Roberta and Kim Solga, eds. New Canadian Realisms: Volume Two. Toronto: Playwrights Canadian Press, 2012.
**Barker, Roberta and Kim Solga, eds. New Canadian Realisms: Eight Plays. Toronto: Playwrights Canadian Press, 2012. [End Page 114]
*Bate, Jonathan and Dora Thornton. Shakespeare: Staging the World. New York: Oxford UP, 2012.
*Bauman, Thomas. The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater. Chicago: U of Illinois P, 2014. The New Black Studies Series.
*Bayly, Simon. A Pathology of Performance. New York: Palgrave, 2011.
Belsey, Catherine. Romeo and Juliet: Language and Writing. New York: Bloomsbury, 2014. The Arden Shakespeare.
Berger, Harry, Jr. A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice. New York: Fordham UP, 2013.
Bickley, Pamela and Jenny Stevens. Essential Shakespeare: The Arden Guide to Text and Interpretation. New York: Bloomsbury, 2013. The Arden Shakespeare.
Binnerts, Paul. Acting in Real Time. Trans. Paul Binnerts and Stephen Wangh. Ann Arbor: U of Michigan P, 2012.
Blau, Herbert. Programming Theater History: The Actor’s Workshop of San Francisco. Introduction by Elin Diamond. New York: Routledge, 2013.
*Bloom, Arthur W. Edwin Booth: A Biography and Performance History. New York: McFarland, 2013.
*Bonczek, Rose Burnett and David Storck. Ensemble Theatre Making: A Practical Guide. New York: Routledge, 2013.
Brater, Enoch, ed. A Student Handbook to the Plays of Arthur Miller. New York: Bloomsbury, 2013.
Brome, Richard. A Jovial Crew. Ed. Tiffany Stern. New York: Bloomsbury, 2014. Arden Early Modern Drama.
*Bryer, Jackson R. and Robert M. Dowling, eds. Eugene O’Neill: The Contemporary Reviews. New York: Cambridge UP, 2014. American Critical Archives.
*Bryer, Jackson R. and Mary C. Hartig, eds. William Inge: Essays and Reminiscences on the Plays and the Man. Jefferson, NC: Macfarland, 2014. [End Page 115]
*Bush, Sophie. The Theatre of Timberlake Wertenbaker. New York: Bloomsbury, 2013. Critical Companions.
Burke, Margaret R. Gavin Bolton’s Contextual Drama: the Road Less Travelled. Chicago: Intellect, 2013. Theatre in Education.
*Canton, Ursula. Biographical Theatre: Re-Presenting Real People? New York: Palgrave, 2011.
*Chambers-Letson, Joshua Takano. A Race So Different: Performance and Law in Asian America. New York: New York UP, 2013. Postmillennial Pop.
*Chaudhuri, Una and Holly Hughes, eds. Animal Acts: Performance Species Today. Ann Arbor: U of Michigan P, 2014. Critical Performances.
Chen, Xiaomei, ed. The Columbia Anthology of Modern Chinese Drama. Abr. ed. New York: Columbia UP, 2014.
Citron, Atay, Sharon Aronson-Lehavi and David Zerbib, eds. Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. New York: Bloomsbury, 2014.
Claycomb, Ryan. Lives in Play: Autobiography and Biography on the Feminist Stage. Ann Arbor: U of Michigan P, 2012.
Clayton, J. Douglas and Yana Meerzon, eds. Adapting Chekhov: The Text and its Mutations. New York: Routledge, 2013. Routledge Advances in Theatre and Performance Studies.
Connolly, Annaliese, ed. Richard III: A Critical Reader. New York: Bloomsbury, 2013. Arden Early Modern Drama Guides.