Contributors
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carola daffner (cdaffner@siu.edu) is an Assistant Professor of German and German Section Head at Southern Illinois University Carbondale. Her publications focus on German women writers and the spatial turn. Daffner’s monograph “Gertrud Kolmar: Dichten im Raum” appeared in 2012.
ela gezen (egezen@german.umass.edu) is Assistant Professor of German at the University of Massachusetts Amherst. She received her PhD in Germanic Languages and Literatures from the University of Michigan in 2012, and is currently working on a book manuscript which traces the significance of Bertolt Brecht for Turkish-German cultural production.
maria makela (mmakela@cca.edu) is Professor of Visual Studies at the California College of the Arts. She has published widely on German nineteenth and twentieth century art, design and film, with a particular focus on the Weimar era, and is currently engaged in a project on blurred identity in 1920s Germany.
jakob norberg (jn43@duke.edu) is an Assistant Professor of German at Duke University. His first book Sociability and Its Enemies: German Political Theory after 1945 was published in 2014. His articles have appeared in Arcadia, Cultural Critique, PMLA, Telos, Textual Practice, and other journals.
katrin sieg (ks253@georgetown.edu) is Professor of German at Georgetown University. She holds a PhD in Drama and has authored three books on modern and contemporary German theater. Her areas of expertise are feminist and queer studies, German popular culture; critical race studies, and European culture studies.
kerry wallach (kwallach@gettysburg.edu) is Assistant Professor of German Studies at Gettysburg College. Her research interests include German-Jewish literature and history, gender studies, media and film studies, and visual and consumer culture. She is currently at work on a book about Jewish recognizability in Weimar Germany.
chunjie zhang (chjzhang@ucdavis.edu) is Assistant Professor of German at University of California, Davis. She published on Georg Forster, Johann Gottfried Herder, Goethe, Elias Canetti, and Chinese-German literary and cultural relations in the eighteenth and the twentieth century. She is currently completing her book manuscript on German transcultural consciousness around 1800. [End Page 237]
