Contributors
Rent from DeepDyve- Contributors
Alan Adelson works in both print and film. He was a page-one investigative reporter for the Wall Street Journal and has published fiction and nonfiction in many magazines, including The New Yorker. He was the European Production Coordinator of the Academy Award–winning HBO documentary One Survivor Remembers. Adelson is currently producing Deadly Decisions, a documentary examining the use of the dioxin-contaminated herbicide Agent Orange in Southeast Asia and its deadly aftermath. He is also writing a family history of the Einsteins, which is under contract with the Crown division of Random House.
Roy Benjamin teaches English at Borough of Manhattan Community College. He has published articles on Finnegans Wake and a variety of other subjects in Journal of Modern Literature, Irish Studies Review, James Joyce Quarterly, and Joyce Studies Annual. He is currently working on a series of articles exploring the Wake’s relationships to mathematics, ritual, and the two Venuses.
Ruben Borg is an Alon Fellow (2008–11) and Senior Lecturer in English at Hebrew University in Jerusalem. His articles have appeared in numerous journals, including Journal of Modern Literature, Literature, Modern Fiction Studies, Poetics Today, and Narrative. He is associate editor of Partial Answers: Journal of Literature and History of Ideas and co-editor of The Parish Review, the official publication of the International Flann O’Brien Society. His book The Measureless Time of Joyce, Deleuze and Derrida was published in 2007, and he is currently working on a second book titled Fantasies of Self-Mourning: Modernism, the Posthuman and the Problem of Genre. [End Page 285]
Martha C. Carpentier is a Professor of English at Seton Hall University in New Jersey, where she teaches courses in British, Irish, and American literature. She is the author of Ritual, Myth and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce, Eliot and Woolf (1998) and The Major Novels of Susan Glaspell (2001); she is the editor of Her America: “A Jury of Her Peers” and Other Stories by Susan Glaspell (2010). Her recent articles have appeared in Mosaic, Joyce Studies Annual, Genre, and Studies in American Fiction. She has recently edited a forthcoming collection of essays entitled Joycean Legacies, which examines Joyce’s influence on a range of contemporary Irish, British, American, and postcolonial writers.
Natasha Rose Chenier is a Ph.D. student at the University of Toronto. Her work has also been featured in Ellipsis … An Online Journal of Undergraduate Research in the Humanities and the University of California at Berkeley’s Comparative Literature Undergraduate Journal.
Jeremy Colangelo is a Ph.D. candidate at the University of Western Ontario. His dissertation studies the relationship between temporality and identity in modernist literature.
Tim Conley is a Professor of English and Comparative Literature at Brock University in Canada. He is the author of Joyces Mistakes: Problems of Intention, Irony, and Interpretation (University of Toronto Press, 2003), editor of Joyce’s Disciples Disciplined: A Re-exagmination of the “Exagmination of Work in Progress” (University College Dublin Press, 2010), and coeditor (with Jed Rasula) of the anthology Burning City: Poems of Metropolitan Modernity (Action Books, 2012).
Sarah Davison is a Lecturer in English at the University of Nottingham, where she specializes in modernist literature. She has published articles on Joyce, Pound, and Max Beerbohm. Her first book, Modernist Literature: A Reader’s Guide to Essential Criticism, is forthcoming from Palgrave Macmillan in 2014. She is currently completing a second monograph, Parody and Modernist Literature. Her article in this issue of Joyce Studies Annual is one outcome of a larger project entitled “Intertextual Joyce: The Genesis of the ‘Oxen of the Sun’ Episode of Ulysses,” for which she received a British Academy Small Research Grant in 2011. [End Page 286]
Elizabeth Foley O’Connor is an Assistant Professor of English at Washington College in Maryland, where she teaches classes in twentieth-century British and Anglophone literature, feminist and gender theory, and journalism. Her published or forthcoming work includes essays on Pamela Colman Smith, Kate O’Brien, Jean Rhys, and Ford Madox Ford, and her reviews have appeared in Joyce Studies Annual, James Joyce Quarterly, and Woolf Studies Annual.
Richard J. Gerber has published work regularly in James...
