Abstract

This article examines three computer animations created by the pioneering filmmaker Lillian F. Schwartz circa 1970 that are currently viewable in 3D chromostereoscopy, specifically with ChromaDepth® 3D glasses. Reimaging these works 40 years after their creation permits a renewed formalist experience and a thematic analysis that reveals the primacy of Schwartz’s concern with depth and visual perception as part of her poetic sensibility. Excerpted interviews between the author and Lillian Schwartz are provided as an online appendix to this paper.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 55-59
Launched on MUSE
2015-01-21
Open Access
No
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