In lieu of an abstract, here is a brief excerpt of the content:

  • Books Received
Angelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. New York: Palgrave Macmillan, 2013.
Bailey, Marlon M. Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit. Ann Arbor: University of Michigan Press, 2013.
Bak, John S. Tennessee Williams: A Literary Life. New York: Palgrave Macmillan, 2013.
Bartels, Emily C., and Emma Smith, eds. Christopher Marlowe in Context. Cambridge: Cambridge University Press, 2013.
Becker, Florian N., Paola S. Hernandez, and Brenda Werth. Imagining Human Rights in Twenty-First-Century Theatre. New York: Palgrave Macmillan, 2013.
Bennett, Susan. Theatre & Museums. New York: Palgrave Macmillan, 2013.
Billingham, Peter. Edward Bond: A Critical Study. New York: Palgrave Macmillan, 2013.
Bowles, Norma, and Daniel-Raymond Nadon, eds. Staging Social Justice: Collaborating to Create Activist Theatre. Carbondale and Edwardsville: Southern Illinois University Press, 2013.
Buccola, Regina, and Peter Kanelos, eds. Chicago Shakespeare Theatre: Suiting the Action to the Word. DeKalb, IL: Northern Illinois University Press, 2013.
Chambers, Claire Maria, Simon W. du Toit, and Joshua Edelman, eds. Performing Religion in Public. New York: Palgrave Macmillan, 2013.
Chinoy, Helen Krich. The Group Theatre: Passion, Politics, and Performance in the Depression Era. New York: Palgrave Macmillan, 2013.
Crémieux, Anne, Xavier Lemoine, and Jean-Paul Rocchi, eds. Understanding Blackness through Performance: Contemporary Arts and the Representation of Identity. New York: Palgrave Macmillan, 2013. [End Page 303]
Crespy, David A. Richard Barr: The Playwrights’ Producer. Carbondale and Edwardsville: Southern Illinois University Press, 2013.
Cummings, Scott T. and Erica Stevens Abbitt, eds. The Theatre of Naomi Wallace: Embodied Dialogues. New York: Palgrave Macmillan, 2013.
Demastes, William W. The Cambridge Introduction to Tom Stoppard. New York: Cambridge University Press, 2013.
Dolan, Jill. The Feminist Spectator in Action: Feminist Criticism for the Stage and Screen. New York: Palgrave Macmillan, 2013.
Dudeck, Theresa Robbins. Keith Johnstone: A Critical Biography. London: Bloomsbury Methuen Drama, 2013.
Durham, Leslie Atkins. Women’s Voices on American Stages in the Early Twenty-First Century. New York: Palgrave Macmillan, 2013.
Farfan, Penny, and Lesley Ferris, eds. Contemporary Women Playwrights: Into the Twenty-First Century. New York: Palgrave Macmillan, 2013.
Faroqhi, Suraiya, and Arzu Öztürkmen, eds. Celebration, Entertainment and Theatre in the Ottoman World. New York: Seagull Books, 2014.
Feldstein, Ruth. How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement. New York: Oxford University Press, 2013.
Fletcher, John. Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age. Ann Arbor: University of Michigan Press, 2013.
Fliotsos, Anne and Wendy Vierow, eds. International Women Stage Directors. Urbana: University of Illinois Press, 2013.
Gil, Daniel Juan. Shakespeare’s Anti-Politics: Sovereign Power and the Life of the Flesh. New York: Palgrave Macmillan, 2013.
Gluhovic, Milija. Performing European Memories: Trauma, Ethics, Politics. New York: Palgrave Macmillan, 2013.
Grantley, Darryll. Historical Dictionary of British Theatre, Early Period. Lanham, MD: Scarecrow Press, 2013.
Hagher, Iyorwuese. The Kwagh-hir Theater: A Weapon for Social Action. Lanham, MD: University Press of America, 2014.
Hopkins, D. J. and Kim Solga, eds. Performance and the Global City. New York: Palgrave Macmillan, 2013.
Hutchison, Yvette. South African Performance and Archive of Memory. New York: Palgrave Macmillan, 2013.
Jones, Chris. Bigger, Brighter, Louder: 150 Years of Chicago Theatre as Seen by Chicago Tribune Critics. Chicago: University of Chicago Press, 2013.
Kear, Adrian. Theatre and Event: Staging the European Century. New York: Palgrave Macmillan, 2013. [End Page 304]
Lim, Eng-Beng. Brown Boys and Rice Queens: Spellbinding Performance in the Asias. New York: New York University Press, 2014.
Lindfors, Bernth. Ira Aldridge: Performing Shakespeare in Europe, 1852–1855. Rochester, NY: University of Rochester Press, 2013.
Liu, Siyuan. Performing Hybridity in Colonial-Modern China. New York: Palgrave Macmillan, 2013.
Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. New York: Palgrave Macmillan, 2013.
Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. Ann Arbor: University of Michigan Press, 2014.
Magnat, Virginie. Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women. London: Routledge, 2013.
Mahala, Macelle. Penumbra: The Premier Stage for African American Drama. Minneapolis: University of Minnesota Press, 2013.
Malia, Scott. Giorgio Strehler Directs Carlo Goldini. Lanham, MD: Lexington Books, 2014.
McCleave, Sarah. Dance in Handel’s London Operas. Rochester, NY: University of Rochester Press, 2013.
McCutcheon, Jade...

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Additional Information

ISSN
2166-9953
Print ISSN
0733-2033
Pages
pp. 303-306
Launched on MUSE
2014-12-18
Open Access
No
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