Notes on Contributors
- Notes on Contributors
Christopher Callahan is Professor of French at Illinois Wesleyan University. His scholarship focuses on medieval literature, particularly lyric poetry, as a performed genre, and combines philology, narratology, and musicology. His essays have appeared in such journals as College Music Symposium, French Forum, Arthuriana, Romance Quarterly, Variants, Le Moyen Age, and Cahiers de Recherches Médiévales et Humanistes, as well in numerous edited volumes. He is co-editor and translator, with Samuel N. Rosenberg, of the two-volume Les Chansons de Colin Muset (Champion, 2005), and is currently preparing, with Daniel O’Sullivan and Marie-Geneviève Grossel, a new critical edition of the songs of the royal trouvère Thibaut de Champagne (1201–1253).
Ian Burrows is a Teaching Fellow in English at the University of Bristol. He is currently working the central arguments of his PhD thesis into a book-length study on punctuation and the presentation of personality in early modern play-texts; this work will be supported, in part, by a Carl H. Pforzheimer Fellowship at the Harry Ransom Center in Austin. Alongside this he is the textual editor for James Shirley’s play The Example, soon to be released as part of the OUP Complete Works. Other forthcoming publications explore his interests in the non-verbal aspects of characterisation in works by George Chapman, Thomas Middleton, and Sylvester Stallone. Email: ian.burrows@bristol.ac.uk
Ronald Bush is Drue Heinz Professor of American Literature Emeritus at Oxford University, where he taught from 1997–2013. He is a senior fellow at St. John’s College Oxford and at the Institute for English Studies at the University of London’s School for Advanced Studies. Bush is the author of The Genesis of Ezra Pound’s Cantos and T. S. Eliot: A Study in Character and Style; the editor of T. S. Eliot: The Modernist in History; and co-editor of Prehistories of the Future: The Primitivist Project and the Culture of Modernism and of Claiming the Stones/Naming the Bones: Cultural Property and the Negotiation of National and Ethnic Identity. Among his recent [End Page 172] publications are articles on Eliot, Pound, Joyce, Nabokov, and Roth, as well as the chapter on “Modernist Poetry and Poetics” in The Cambridge History of Twentieth-Century English Literature. His major work in progress is a multi-volume textual and genetic study of Ezra Pound’s Pisan Cantos, culminating the critical edition that is the subject of his essay.
Dennis Flynn in 2010 retired from the Bentley University Department of English and Media Studies in order to work full time on the Oxford University Press edition of John Donne’s letters. His recent publications include: The Oxford Handbook of John Donne, ed. with Jeanne M. Shami and M. Thomas Hester (Oxford University Press, 2011); The Holy Sonnets, Volume 7.1 of The Variorum Edition of the Poetry of John Donne, ed. with Gary A. Stringer et al. (Indiana University Press, 2005); and John Donne’s Marriage Letters in the Folger Shakespeare Library, ed. with M. Thomas Hester and Robert Parker Sorlien (The Folger Shakespeare Library, 2005).
Gabrielė Gailiūtė is currently a PhD student at Vilnius University, her thesis concerns the politics of taste in the post-Soviet Lithuania. She is also a translator of important contemporary British and American authors, and has experience as a publisher of books and periodical magazines. She is also teaching at Vilnius University and Vilnius Business College. Her academic interests include translation studies, literary sociology, literary and textual theory.
Daniel E. O’Sullivan is Associate Professor of French at the University of Mississippi. He specializes in medieval French and Occitan literature, especially lyric poetry. He is the author of Marian Devotion in Thirteenth-Century French Lyric (University of Toronto, 2005), editor of Chess in the Middle Ages and Early Modern Age (De Gruyter, 2012), and co-editor of Shaping Courtliness in Medieval France with Laurie Shepard (Boydell and Brewer, 2013) and Les Eschéz d’Amours: A Critical Edition of the Poem and its Latin Glosses (Brill, 2013). He has also authored articles in TEXT, Textual Cultures, Medieval Perspectives, Neophilologus...
