Abstract

The arma virumque theme that this article identifies in the Punica is an important avenue through which to understand the meaning of Silius Italicus’ poem and its author’s relationship with Vergil. The text frequently uses combinations of the Aeneid’s first two words, arma and vir, to suggest a common literary inheritance from Aeneas among its characters, large and small, Roman and Carthaginian. By pervasively characterizing most participants in the Second Punic War as versions, or poetic refractions, of Aeneas, the poet recasts Rome’s glorious foreign war as a kind of civil war producing criminal corpses. More specifically, characters vie not for national dominance of the Mediterranean but for personal prestige as the most worthy heir to Aeneas. This process reconsiders the Republic’s history, aligns the text with the developments of 69 c.e. , and comments critically on the Roman principate and its foundational literary text, the Aeneid.

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