Index to Volume 66

Aufderheide, Patricia. Rev. of Learning with the Lights Off: Educational Films in the United States, edited by Devin Orgeron, Marsha Orgeron, and Dan Streible. 66.2 (Summer 2014): 43–44.

Balcerzak, Scott. “The Cinephilic Pleasures of DVD Commentary: Watching The Passenger (1975) with Jack Nicholson.” 66.1 (Spring 2014): 21–38.

Beverly, Danielle. Rev. of D.A. Pennebaker, by Keith Beattie. 66.2 (Summer 2014): 45–46.

Block, Mitchell W. Rev. of Ready, Steady, Shoot: The Guide to Great Home Video, by Roger Sherman. 66.2 (Summer 2014): 47–48.

Boyda, James. Rev. of Queer Film Classics Film Book Series. 66.2 (Summer 2014): 48–50.

Brown, Joseph V. Rev. of Practical Moviemaking: A Handbook for the Real World, by Joe Wallenstein. 66.2 (Summer 2014): 50–51.

Davies, Lyell. Rev. of Producing Bollywood: Inside the Contemporary Hindi Film Industry, by Tejaswini Ganti. 66. 2 (Summer 2014): 56–57.

Davis, Julie. Rev. of Wenhua Shi’s Lightcoder. 66.3 (Fall 2014): 63–64.

Davis, Roció G. “Documentary Constructions of Filial Memory in Nathaniel Kahn’s My Architect and Nicolás Entel’s My Father, Pablo Escobar. 66.1 (Spring 2014): 52–61.

Dowling, David. “‘Revenge Upon a Dumb Brute’: Casting the Whale in Film Adaptations of Moby-Dick.” 66.4 (Winter 2014): 50–63.

Ebrahim, Haseenah. “Are the ‘Boys’ at Pixar Afraid of Little Girls?” 66.3 (Fall 2014): 43–56.

Erb, Cynthia. “A Spiritual Blockbuster: Avatar, Environmentalism, and the New Religions.” 66.3 (Fall 2014): 3–17.

Glick, Josh. Rev. of Hollywood Left and Right: How Movie Stars Shaped American Politics, by Steven J. Ross. 66.2 (Summer 2014): 53–55.

Hagin, Boaz, and Roy Wagner. “The Occupation-Image: A Deleuzian Analysis of Videos from the Israel Occupation of Palestine.” 66.4 (Winter 2014): 19–33.

Hefner, Brooks E. “Milland Alone: The End of the System, Post-Studio Stardom, and the Total Auteur.” 66.4 (Winter 2014): 3–18.

Marquis, Elizabeth. “An Individualist, Just Like the Rest of Us: The Performance of Hegemonic Masculinities in ‘The Case of Milo Radulovich’.” 66.1 (Spring 2014): 39–51.

Martin, Carey. Rev. of Fantasy, by Jacqueline Furby and Claire Hines. 66.3 (Fall 2014): 59–60.

Mateer, John. “Digital Cinematography: Evolution of Craft or Revolution in Production?” 66.2 (Summer 2014): 3–14.

Meyer, Andrea. Rev. of Mike Leigh, by Sean O’Sullivan. 66.2 (Summer 2014): 51–53.

Petersen, Anne Helen. “When Her Pictures Got Small: Gloria Swanson, Glamour, and Postwar Stardom.” 66.1 (Spring 2014): 3–20.

Racioppi, Linda, and Colleen Tremonte. “Geopolitics, Gender, and Genre: The Work of Pre-Title/Title Sequences in James Bond Films.” 66.2 (Summer 2014): 15–25.

Ransom, Amy J. “Bollywood Goes to the Stadium: Gender, National Identity and Sport Film in Hindi.” 66.4 (Winter 2014): 34–49.

Ross, Deborah. “Miyazaki’s Little Mermaid: A Goldfish Out of Water.” 66.3 (Fall 2014): 18–30.

Samanci, Õzge. Rev. of That’s All Folks? EcoCritical Readings of American Animated Features, by Robin L. Murray and Joseph K. Heumann. 66.3 (Fall 2014): 57–59.

Sternlieb, Lisa. “‘You Must Remember This’: The Lives of Others and the Cinematic Imagination.” 66.2 (Summer 2014): 26–42.

Tremonte, Colleen, and Linda Racioppi. “Geopolitics, Gender, and Genre: The Work of Pre-Title/Title Sequences in James Bond Films.” 66.2 (Summer 2014): 15–25.

Williams, Chriss. Rev. of How to Shoot Video That Doesn’t Suck, by Steve Stockman. 66.3 (Fall 2014): 60–62.

Wood, Aylish. “Contests and Simulations: Tron: Legacy’s Connections with Technologies.” 66.3 (Fall 2014): 31–42.