In lieu of an abstract, here is a brief excerpt of the content:

  • Current Bibliography
  • Compiled by Jeanne M. Alexander

To help keep this bibliography up to date, please send notices and citations to jma22@psu.edu or to Jeanne M. Alexander, F. Scott Fitzgerald Edition, Department of English, 139 Burrowes Building, Pennsylvania State University, University Park, PA 16802

books, pamphlets, editions, and dissertations

Batchelor, Bob. Gatsby: The Cultural History of the Great American Novel. Lanham, MD: Rowman & Littlefield, 2014.
Berret, Anthony J. Music in the Works of F. Scott Fitzgerald: Unheard Melodies. Madison, NJ: Fairleigh Dickinson UP; Lanham, MD: Rowman & Littlefield, 2013.
Churchwell, Sarah. Careless People: Murder, Mayhem, and the Invention of The Great Gatsby. New York: Penguin, 2014.
Fitzgerald, F. Scott. All the Sad Young Men, ed. James L. W. West III. Cambridge, UK and New York: Cambridge UP, 2014. [Paperback reprint]
———. The Beautiful and Damned, ed. James L. W. West III. Cambridge, UK and New York: Cambridge UP, 2014. [Paperback reprint]
———. The Lost Decade, ed. James L. W. West III. Cambridge, UK and New York: Cambridge UP, 2014. [Paperback reprint]
———. The Love of the Last Tycoon, ed. Matthew J. Bruccoli. Cambridge, UK and New York: Cambridge UP, 2014. [Paperback reprint]
———. My Lost City, ed. James L. W. West III. Cambridge, UK and New York: Cambridge UP, 2014. [Paperback reprint] [End Page 201]
———. The Thoughtbook of F. Scott Fitzgerald: A Secret Boyhood Diary. Minneapolis: U of Minnesota P, 2013.
———. Trimalchio: An Early Version of The Great Gatsby. New York: Simon & Schuster, 2014. [eBook]
Grissom, Candace Ursula. “Filming the Lost Generation: F. Scott Fitzgerald, Ernest Hemingway, and the Art of Cinematic Adaptation.” Diss. Middle Tennessee State U, 2012. DA 3514914. [Chapter 2: “The Ouroboric Cycle of Literary Celebrity: The Creation and Maintenance of F. Scott Fitzgerald and Ernest Hemingway as Cultural Icons”; Chapter 3: “Screening the American Icarus, Part One: Film Adaptations of F. Scott Fitzgerald’s Works, 1924–1962”; Chapter 4: “Screening the American Icarus, Part Two: Film Adaptations of F. Scott Fitzgerald’s Works, 1974–2008.”]
Irwin, John T. F. Scott Fitzgerald’s Fiction: “An Almost Theatrical Innocence.” Baltimore: Johns Hopkins UP, 2014.
Laing, Olivia. The Trip to Echo Spring: On Writers and Drinking. New York: Picador, 2014.

essays, chapters, and notes

Alexander, Jeanne M. “Current Bibliography.” F. Scott Fitzgerald Review 11 (2013): 197–202.
Atwood, Margaret. “The Great Gatsby by F. Scott Fitzgerald; Wuthering Heights by Emily Bronte; Moby-Dick by Herman Melville; Nineteen Eighty-Four by George Orwell.” Brick 91 (Summer 2013), 105.
Barnhart, Bruce Evan. “”Forms of Repetition and Jazz Sociality in The Great Gatsby.” Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. Tuscaloosa: U of Alabama P, 2013. 97–132.
Batchelor, Bob. “Visions of the American Dream: F. Scott Fitzgerald, Bob Dylan, and Norman Mailer Probe at the Heart of the National Idea.” Norman Mailer Review 7.1 (2013): 74–89.
Beidler, Philip D. “The Great Party-Crasher: Mrs. Dalloway, The Great Gatsby, and the Cultures of World War I Remembrance.” War, Literature, and the Arts: An International Journal of the Humanities 25 (2013). 33 pages (electronic resource) http://wlajournal.com/25_1/pdf/Beidler.pdf.
Bell, Susan. The Artful Edit: On the Practice of Editing Yourself. New York: Norton, 2007. 42–145. [Includes two chapters on editing using The Great Gatsby as a model: Chapter 2, “The Big Picture: Macro-Editing,” 42–94; Chapter 3, “The Details: Micro-Editing,” 95–145] [End Page 202]
Bradley, Regina. “Fade to Black, Old Sport: How Hip Hop Amplifies Baz Luhrmann’s The Great Gatsby.” Sounding Out!: The Sound Studies Blog (2013). No pagination (electronic resource) http://soundstudiesblog.com/?s=Fade+to+Black+Old+Sport.
Brown, Heather. “‘Like a star balanced with another star’: Lawrentian Relationships in Tender Is the Night.” F. Scott Fitzgerald Review 11 (2013): 99–115.
Buechsel, Mark. “‘A Story of the West, After All’: The Sacramental and Midwestern Pastoral Subtest of F. Scott Fitzgerald’s The Great Gatsby.” Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature. Kent OH: Kent State UP, 2013. 243–60.
Clark, Richard M. “Dick Humbird and the Devil Wagon of Doom: Cars, Carnivores, and Feminine Carnality in This Side of Paradise.” F. Scott Fitzgerald Review 11 (2013): 32–53.
Csicsila, Joseph...

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