- Redbud
Everywhere, like grass: Toadflax, yellow coils a girl’s pincurls. Overhead,the purely ornamental fruits, whites and pinks
thick on the bough. And straight ahead, along the path, Spice Viburnum, exotic shrubnamed for the smell its clustered flowers held—nutmeg—
that made St. Louis tropical. We walked a lush, vast, groomed preserve—preserve in the sensemeant by self-indulgent kings, and in the sense
meant by science: every bloom and bine and bole, each independent green was labeled,that was what we loved. And at the center, bronzed:
Linnaeus, master of design, whose art it was to shepherd any living thinginto its proper pasture. There, Foam Flower. There,
Lungwort, vernacular “Spilled Milk,” leaf splashed with white, a graceful Pulmonariain the language of greatest clarity which classifies
lilies and roses, rows of lilac. And here, at our feet, shade-drunk dark herb: Wormwood, our wordfor bitterness: an Artemesia, The Hunter,
goddess made incarnate on the ground, in whose name the avid mortal watching herwas torn apart. Where was his name? Where was his flower?
A cloud paused in the spring sky, and there came to us then, on the path, another blossoming.Radiant in mauve, head to toe, back braced [End Page 156]
as though to balance the weight of full breasts, one hand, gloved, lifted unthinking to petthe back of the hair, the hair itself a lacquered helmet.
And what should we make of her height, her heft, the size of the feet, the gruff swagger in the gait:we stared outright—it seemed all right to stare—like
Linnaeus, who’d ranked the stones, and sorted the plants by how they propagate and colonizedwhatever crawls or swims or flies or bears live young?
Light by which I’ve lived, the wish to name, to know, the work of it, the cost of it—if only I could be, or want to be, more like
that boy: ignorant, stunned, human. “Acteon,” you said, by his own hounds torn asunder. And sothe brief shadow flickered and dissolved: the world
was ours again, the world like this, made less confused. And we strolled like kings back down the path,past a Redbud tree in plush white bloom.
[End Page 157]
Ellen Bryant Voigt’s eighth volume of poetry, Headwaters, was published in 2013 by W. W. Norton. “Redbud” appeared in Messenger: New and Selected Poems 1976–2006 (W. W. Norton, 2007), which was a finalist for both the Pulitzer Prize and the National Book Award. She has also published The Flexible Lyric (University of Georgia Press, 1999), a collection of essays on craft, and The Art of Syntax: Rhythm of Thought, Rhythm of Song (Graywolf Press, 2009), and teaches in the Warren Wilson MFA Program for Writers.