Camera Obscura 19.1 (2004) 198-199
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Aberth, John. Knights at the Movies: Medieval History on Film. New York: Routledge, 2003.
Fredrick, David, ed. The Roman Gaze: Vision, Power, and the Body. Baltimore, MD: Johns Hopkins University Press, 2002.
Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington: University Press of Kentucky, 2003.
Gottlieb, Daphne. Final Girl. Brooklyn, NY: Soft Skull Press, 2003.
Journal of Scholarly Publishing. Toronto: University of Toronto Press, July 2003.
Levitin, Jacqueline, Judieth Plessis, and Valerie Raoul, eds. Women Filmmakers: Refocusing. New York: Routledge, 2003.
MacDonald, Margaret F., Susan Grace Galassi, and Aileen Ribeiro, with Patricia de Montfort. Whistler, Women, and Fashion. New York: The Frick Collection, 2003.
Nelmes, Jill, ed. An Introduction to Film Studies. 3d ed. New York: Routledge, 2003.
Pinney, Melissa Ann. Regarding Emma: Photographs of American Women and Girls. Santa Fe, NM: The Center for American Places, 2003.
Prince, Stephen. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968. New Brunswick, NJ: Rutgers University Press, 2003.
Purvis, June. Emmeline Pankhurst: A Biography. New York: Routledge, 2002. [End Page 198]
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Schaefer, Claudia. Bored to Distraction: Cinema of Excess in End-of-the-Century Mexico and Spain. Albany: State University Press of New York, 2003.
Still, Judith, ed. Men's Bodies: Paragraph 26.1-2. Edinburgh: Edinburgh University Press, 2003.
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Wilson, Erin Cressida. Secretary. Brooklyn, NY: Soft Skull Press, 2003. Screenplay.