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Camera Obscura 19.1 (2004) 198-199

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Books Received

Aberth, John. Knights at the Movies: Medieval History on Film. New York: Routledge, 2003.

Fredrick, David, ed. The Roman Gaze: Vision, Power, and the Body. Baltimore, MD: Johns Hopkins University Press, 2002.

Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington: University Press of Kentucky, 2003.

Gottlieb, Daphne. Final Girl. Brooklyn, NY: Soft Skull Press, 2003.

Journal of Scholarly Publishing. Toronto: University of Toronto Press, July 2003.

Levitin, Jacqueline, Judieth Plessis, and Valerie Raoul, eds. Women Filmmakers: Refocusing. New York: Routledge, 2003.

MacDonald, Margaret F., Susan Grace Galassi, and Aileen Ribeiro, with Patricia de Montfort. Whistler, Women, and Fashion. New York: The Frick Collection, 2003.

Nelmes, Jill, ed. An Introduction to Film Studies. 3d ed. New York: Routledge, 2003.

Pinney, Melissa Ann. Regarding Emma: Photographs of American Women and Girls. Santa Fe, NM: The Center for American Places, 2003.

Prince, Stephen. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968. New Brunswick, NJ: Rutgers University Press, 2003.

Purvis, June. Emmeline Pankhurst: A Biography. New York: Routledge, 2002. [End Page 198]

Sabbadini, Andrea. The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. New York: Brunner-Routledge, 2003.

Schaefer, Claudia. Bored to Distraction: Cinema of Excess in End-of-the-Century Mexico and Spain. Albany: State University Press of New York, 2003.

Still, Judith, ed. Men's Bodies: Paragraph 26.1-2. Edinburgh: Edinburgh University Press, 2003.

Thomas, Lyn. Fans, Feminisms, and "Quality" Media. New York: Routledge, 2002.

Wilson, Erin Cressida. Secretary. Brooklyn, NY: Soft Skull Press, 2003. Screenplay.



Additional Information

Print ISSN
pp. 198-199
Launched on MUSE
Open Access
Archive Status
Archived 2005
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