Abstract

The article analyzes the film Commissar (1967) by screenwriter and director Aleksandr Askol’dov. This is a unique film on a Jewish theme for the Soviet screen, which discusses Russian-Jewish relations during the civil war. Although it shows these relations in a completely benevolent light, and a Jewish family helps a pregnant Russian Commissar Klavdiia Vavilova, the movie was banned for over twenty years. Askol’dov demonstrated his personal courage in producing a Jewish themed movie in the hostile atmosphere of state antisemitism in the Soviet Union. However, we should admit that his knowledge about Jews and Jewish life was rather limited. As a devout Orthodox Christian, Askol’dov used many Christian symbols in showing Jewish life, and he depicted the Jewish characters in the movie using stereotypes from Russian literature and culture. The movie acquired a second life during Perestroika, when films that had been shelved for many years were released for the public. In spite of its limited comprehension of Jewish life, the film received recognition due to its humanistic message, the strong performances of the popular Soviet actors, and the artistic camerawork.

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