Plates

Plate 1.

Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970 (poster). Source image: Yoshida Katsurō, Cut-off, 1969. Steel pipe, cotton; 420 cm long. Published in Bijutsu techō, no. 324 (February 1970).

Photo: Nakajima Kō.

Plate 2.

Sekine Nobuo, Phase of Nothingness 1/m Oilclay, 1969. Oilclay; 2.5 tons. Installation view, Tokyo Gallery, 1969.

Photo courtesy of Tokyo Gallery.

Plate 3.

Sekine Nobuo, Phase—Mother Earth, 1968. Earth, concrete; 270 × 220 × 220 cm. Installation view, 1st Kobe Suma Rikyū Park Contemporary Sculpture Exhibition, 1968.

Photo: Murai Osamu.

Plate 4.

Suga Kishio, Law of Situation, 1971. Stones, plastic sheet (woven glass fiber), water; 50 × 240 × 2100 cm. Installation view, 4th Contemporary Japanese Sculpture Exhibition. Ube City Open-Air Museum, 1971.

Photo: Suga Kishio.

Plate 5.

Lee Ufan, Relatum (formerly Phenomena and Perception B), 1969. Stone and glass. Tokyo. Published in Bijutsu techō, no. 324 (February 1970).

Photo: Nakajima Kō.

Plate 6.

Koshimizu Susumu, Paper, 1969. Hempen paper and granite; paper: 50 × 250 × 250 cm, granite: 50 × 150 × 150 cm. Tokyo. Published in Bijutsu techō, no. 324 (February 1970).

Photo: Nakajima Kō.

Plate 7.

Haraguchi Noriyuki, Air Pipe C, 1969. Acrylic on canvas mounted on plywood; 136 × 155 × 25cm.

Photo courtesy of Fergus McCaffrey.