In lieu of an abstract, here is a brief excerpt of the content:

  • Books Received
Anderson, Judith H. and Jennifer C. Vaught, eds. Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary. New York: Fordham UP, 2013.
Banks, Daniel. Say Word! Voices From Hip Hop Theatre. Ann Arbor: U of Michigan P, 2011.
Banks, Fiona. Creative Shakespeare: The Global Education Guide to Practical Shakespeare. New York: Bloomsbury, 2014.
*Barker, Roberta and Kim Solga, eds. New Canadian Realisms. Toronto: Playwrights Canadian Press, 2012.
Bate, Jonathan and Dora Thornton. Shakespeare: Staging the World. New York: Oxford UP, 2012.
Bayer, Mark. Theatre, Community, and Civic Engagement in Jacobean London. Iowa City: U of Iowa P, 2011. Studies in Theatre History and Culture.
*Bayly, Simon. A Pathology of Performance. New York: Palgrave, 2011.
Belsey, Catherine. Romeo and Juliet: Language and Writing. New York: Bloomsbury, 2014. The Arden Shakespeare.
Berger, Harry, Jr. A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice. New York: Fordham UP, 2013.
Bickley, Pamela and Jenny Stevens. Essential Shakespeare: The Arden Guide to Text and Interpretation. New York: Bloomsbury, 2013. The Arden Shakespeare.
Binnerts, Paul. Acting in Real Time. Translated by Paul Binnerts and Stephen Wangh. Ann Arbor: U of Michigan P, 2012.
Blau, Herbert. Programming Theater History: The Actor’s Workshop of San Francisco. Introduction by Elin Diamond. New York: Routledge, 2013.
Bloom, Arthur W. Edwin Booth: A Biography and Performance History. New York: McFarland, 2013. [End Page 104]
Bonczek, Rose Burnett, and David Storck. Ensemble Theatre Making: A Practical Guide. New York: Routledge, 2013.
Brater, Enoch, Ed. A Student Handbook to the Plays of Arthur Miller. New York: Bloomsbury, 2013.
Brome, Richard. A Jovial Crew. Ed. Tiffany Stern. New York: Bloomsbury, 2014. Arden Early Modern Drama.
Bush, Sophie. The Theatre of Timberlake Wertenbaker. New York: Bloomsbury, 2013. Critical Companions.
Burke, Margaret R. Gavin Bolton’s Contextual Drama: the Road Less Travelled. Theatre in Education. Chicago: Intellect, 2013.
Burnett, Mark Thornton and Adrian Streete, eds. Filming and Performing: Renaissance History. New York: Palgrave, 2011.
Burnett Bonczek, Rose and David Storck. Ensemble Theatre Making: A Practical Guide. New York: Routledge, 2013.
*Canton, Ursula. Biographical Theatre: Re-Presenting Real People? New York: Palgrave, 2011.
**Carney, Sean. The Politics and Poetics of Contemporary English Tragedy. Toronto: U of Toronto P, 2013.
Chaudhuri, Una and Holly Hughes, Eds. Animal Acts: Performance Species Today. Ann Arbor: U of Michigan P, 2014. Critical Performances.
Chen, Xiaomei, ed. The Columbia Anthology of Modern Chinese Drama. Abr. ed. New York: Columbia UP, 2014.
Citron, Atay, Sharon Aronson-Lehavi, and David Zerbib. Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century. New York: Bloomsbury, 2014.
Claycomb, Ryan. Lives in Play: Autobiography and Biography on the Feminist Stage. Ann Arbor: U of Michigan P, 2012. [End Page 105]
Clayton, J. Douglas and Yana Meerzon. Adapting Chekhov: The Text and its Mutations. New York: Routledge, 2013. Routledge Advances in Theatre and Performance Studies.
Colbert, Soyica Diggs. The African American Theatrical Body. New York: Cambridge UP, 2011.
Connolly, Annaliese, Ed. Richard III: A Critical Reader. New York: Bloomsbury, 2013. Arden Early Modern Drama Guides.
Conquergood, Dwight. Cultural Struggles: Performance, Ethnography, Praxis. Ed. and introduction by E. Patrick Johnson. Ann Arbor: U of Michigan P, 2013.
*Cott, Jonathan. Dinner with Lenny: The Last Long Interview with Leonard Bernstein. New York: Oxford UP, 2013.
Crowl, Samuel. Screen Adaptations: Shakespeare’s Hamlet: The Relationship Between Text and Film. New York: Bloomsbury, 2014.
Cull, Laura and Will Daddario, eds. Manifesto Now! Instructions for Performance, Philosophy, Politics. Chicago: Intellect/U of Chicago P, 2013.
*Cramer, Lyn. Creating Musical Theatre: Conversations with Broadway Directors and Choreographers. New York: Bloomsbury/Methuen, 2013.
**Cummings, Scott T. Maria Irene Fornes. New York: Routledge, 2013. Routledge Modern and Contemporary Dramatists.
Daniel, Drew. The Melancholy Assemblage: Affect and Epistomology in the English Renaissance. New York: Fordham UP, 2013.
Davis, Peggy Cooper and Lizzy Cooper Davis, Eds. Enacting Pleasure: Artists and Scholars Respond to Carol Gilligan’s New Map of Love. New York: Seagull, 2011.
Di Benedetto, Stephen. An Introduction to Theatre Design. New York: Routledge, 2012.
Elsam, Paul. Stephen Joseph: Theatre Pioneer and Provocateur. New York: Bloomsbury, 2013. [End Page 106]
**Essin, Christin. Stage Designers in Early Twentieth Century America: Artists, Activists, Cultural Critics. New York: Palgrave, 2012. Palgrave...


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