Abstract

In the early 21st century, Williamsburg and Bushwick—two Brooklyn neighborhoods—became home to a glut of experimental performance venues. The location, neighborhoods colloquially called “frontiers,” suggests that this avantgarde’s experimentation demanded geographic poverty—peripheral, deindustrialized areas where neoliberal policy and racism obscured existing meanings of place.

pdf

Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 97-123
Launched on MUSE
2014-08-16
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.