Abstract

This essay considers the long history of the criticism addressing Emily Dickinson’s poem, “My life had stood—a loaded gun,” in light of issues of interpretation, over-interpretation, and underinterpretation.

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Additional Information

ISSN
1080-661X
Print ISSN
0028-6087
Pages
pp. 253-270
Launched on MUSE
2014-08-06
Open Access
No
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