Abstract

This short essay responds to Tavia Nyong’o’s insightful “Afro-philo-sonic Fictions,” a discussion of Weheliye’s Phonographies and Julian Henriques’s Sonic Bodies, concentrating in particular on the analytics of blackness in Western modernity, the place of Africa in diaspora discourse, and the conceptual provenances of black feminist approaches.

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Additional Information

ISSN
1534-6714
Print ISSN
0799-0537
Pages
pp. 180-190
Launched on MUSE
2014-08-01
Open Access
No
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