Abstract

This essay reviews two recent publications in the area of black music and sound studies—Julian Henriques’s Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing (2011) and Alexander G. Weheliye’s Phonographies: Grooves in Sonic Afro-Modernity (2005)—taking particular note of the role of critical theory, as well as of gender and sexuality, in the contemporary literature.

pdf

Additional Information

ISSN
1534-6714
Print ISSN
0799-0537
Pages
pp. 173-179
Launched on MUSE
2014-08-01
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.