Abstract

This article features interviews with Cheryl L’Hirondelle and Kent Monkman, two contemporary artists who move between traditional practices and contemporary art forms. Their multidisciplinary work unpacks both popular culture and traditional world-views. L’Hirondelle and Monkman are integrating Indigenous ideologies and embodied knowledge through interdisciplinary meetings of performance, painting, music, and new and digital media art, and they are actively using these media as decolonizing tools.

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