Heidegger has notoriously named the essence of the technological world the Ge-stell (framework, enframing). Here, we reveal that yet another term, Gestellnis, figures in some of his writings from the 1970s. According to Heidegger, as the essence of the Ge-stell, Gestellnis shows a way toward the fore-garden of Ereignis (appropriating event). In opposing the Ge-stell mode of comportment toward beings, Heidegger glimpses the promise of the other thinking, which seems to be useless from the perspective of traditional metaphysical thinking. In characterizing this mode of thinking, he resorts to Zhuangzi’s parables of uselessness (wuyong 无用). One way of stepping out of the Ge-stell is to make central the comportment toward beings as embodied in non-metaphysical art. Heidegger designates this as das andere Denken (the other thinking). In charting this course, Heidegger turns toward ancient Asian traditions insofar as they remain uncontaminated by current planetary-interstellar world conditions, which for him epitomize the absence of the dichotomy of appearance and essence. From Heidegger’s standpoint, before the Western tradition gains maturity through its own self-transformation, the allegedly inevitable event of East-West dialogue can only be anticipated. However, at the ontic level East Asian sources have undeniably played a role in his search for ways out of the Ge-stell.