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Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club
- Cinema Journal
- University of Texas Press
- Volume 53, Number 4, Summer 2014
- pp. 98-120
- 10.1353/cj.2014.0048
- Article
- Additional Information
Abstract
This article unpacks the production and impact of the Foley punch in David Fincher’s Fight Club (1999) to theorize the sonic transmission of affect in cinema. It advocates transduction as a model for a soundtrack analysis that acknowledges the already-mediated nature of aural subjectivity and allows for authenticity in electronically mediated experiences.
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