Abstract

This introduction frames the following essays in relation to two broad developments in the historiography of early Hollywood. First, it posits a new cultural textualism on the part of historians who explore how the idea of Hollywood was constructed across a range of discourses. Second, it correlates this approach with a new sensitivity to the historical value of archival marginalia and miscellany.

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Additional Information

ISSN
1553-3905
Print ISSN
0892-2160
Pages
pp. vii-xiv
Launched on MUSE
2014-07-05
Open Access
No
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