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  • Palimpsest
  • Maya Catherine Popa (bio)

Flower-bordered riverwhere I fillet the hyacinths,

a russian doll of placesposing as one place.

Halogen meat a horse show in Florida

while another juliennesolives for appetizers.

A doll slipped in anothertill all dolls are dull:

versions of mewith whistles for lips

reciting asterisksin the periodic table.

Collage of the unconscious:white flowers, lost teeth,

scarecrow withan aureole of straw,

basilica for everyone’sbest dresses.

I visit the publicmuseum of clouds, [End Page 175]

lithographs of skyposing as space.

Layers make monstersas shows the snapdragon.

Memory, you crooked thingI do to the page. [End Page 176]

Maya Catherine Popa

Maya Catherine Popa’s work appears or is forthcoming in Kenyon Review, Field, Poetry London, Oxford Poetry, the Rumpus, the Huffington Post, and elsewhere. She was a Clarendon Scholar at Oxford University from 2011–13 and is currently completing an mfa at nyu. She is the editorial fellow at Poets & Writers magazine and the literary editor of All Hollow magazine.

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