Abstract

Scholars of popular romance fiction have begun to credit the genre with political and aesthetic self-consciousness, a “metatextual turn” that parallels changes in the academic reception of Hindi popular cinema. This essay brings some of these new theoretical models to bear on the Indian rom-com Jaane Tu Ya Jaane Na.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 51-66
Launched on MUSE
2014-06-09
Open Access
No
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