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  • From The Blueness
  • Bruce Smith (bio)

I’d approximate, like scansion, the curving, spawning motion of the storm.I’d chalk the line I’d nail with a nail gun. I’d touch two ends of the wiresto my tongue. I thought I could approximate the wobble and sputterof America, by Xing and Oing, by strangling the dream down to a trickle,a little Euphrates of longing, a lonely wronging, I could reach da dum, da dum. [End Page 121]

Work was reds and blacks like funerals in Ghana, like country and western wear,or a hearse with a flame job. I wasn’t supposed to know the promotions and transfersever, work was elaborate ways to name the dead, praise, séance, burn money,voodoo against any disease that would cure greed. I wrote my code. I tookcalls and walked them through, talked them down from the ledge. [End Page 122]

Work was improv but the bad kind with banjos, Dixieland. Work was wrong, wrong,partly wrong, you’d do better with scratch tickets [and sniff]. Work was a riffon life. Work was murder in the cathedral, sleep disorders, court orders, bordersXed, faces created, avatars, pleas [interrupted by texts, lunch, the rain].So I had fire installed in the sprinkler system. I don’t know my password. [End Page 123]

Bruce Smith

Bruce Smith is the author of six books of poems, including The Other Lover (University of Chicago), which was a finalist for both the National Book Award and the Pulitzer Prize, Songs for Two Voices, and Devotions, a finalist for the National Book Award, the National Book Critics Circle Award, the Los Angeles Times Book Award, and the winner of the William Carlos Williams Prize.

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