Abstract

Two recent choreographic works — Jeanine Durning’s inging and Monique Jenkinson’s Instrument — employ words not as content but as kinesthetic forces. In each, as audiences sit with their own embodied thoughts, words recede and silent questions arise to connect us in the space and time of performance.

pdf

Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 163-171
Launched on MUSE
2014-05-17
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.