Abstract

The South African hip hop group Die Antwoord deploys blackface performance as part of a racial project that characterizes race as contingent and mutable in contrast to its rigid apartheid articulation. Examining the flows that carry their work transnationally makes visible the ways US cultural consumption becomes entangled with processes of racialization.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 132-148
Launched on MUSE
2014-05-17
Open Access
No
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