Abstract

Disability is highly visible in contemporary performance festivals and art venues. Traveling from the disability performance ensemble work of Theater Hora and Jérôme Bel, to Javier Telléz’s installation Artaud’s Cave at dOCUMENTA(13) in Kassel, and on to the Australian Back to Back Theatre’s Ganesh versus the Third Reich at the Bodies of Work festival in Chicago raises the pressing questions: How and why is disability art and performance becoming so visible? And for whom?

pdf

Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 33-50
Launched on MUSE
2014-05-17
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.