In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:
  • Kwagu’l Gixsam Clan, Standing Up with Ga’axsta’las: Jane Constance Cook and the Politics of Memory, Church, and Custom by Leslie A. Robertson
  • Anna de Aguayo
Robertson, Leslie A., with the Kwagu’l Gixsam Clan, Standing Up with Ga’axsta’las: Jane Constance Cook and the Politics of Memory, Church, and Custom, Vancouver and Toronto, UBC Press, 2012, 569 pages.

In May 2007, a potlatch to feast the name Waxawidi was held by Wedlidi Speck, marking the return of several Cook family potlatch names, after 70 years of ceremonial inactivity, to the Alert Bay Feast Hall or Big House (the ‘Yalis gukwdzi). The family, a Kwakwaka ‘wakw ‘na’mima of noble lines, gave anthropologist Leslie Robertson a customary name. She had done well by the family. She had been asked in 2002, by fellow anthropologist Dara Culhane (a Cook great-granddaughter by marriage), to work with Pearl Alfred on a life history about her grandmother, Jane Constance Cook, Ga’axsta’las, the “Breakfast Giver.” The resulting book would, following its release in August 2013, go on to win the 2013 Wheeler-Voegelin Prize for best ethnohistory by the American Society of Ethnohistory, the 2013 CLIO prize for BC History and the 2013 prize for Aboriginal History from the Canadian History Association. The University of British Columbia (UBC) Press itself added its K. D. Srivastava Prize for Excellence in Publishing. With her excellent 2005 oral history work Imagining Difference (UBC Press), on the curse cast on her hometown of Fernie, BC, and her 2004 award-winning book on the stories of marginalized women on the downtown eastside of Vancouver, co-edited with Culhane, Robertson appears well suited to take on the name of assistant professor of anthropology at UBC, in the tradition of Julie Cruikshank.

Standing Up is not just a history of a woman living on Vancouver Island between the years of 1870 and 1951, after 90 per cent of her community was decimated by diseases. It is a large, complex, layered and important book that will be required reading for scholars of the region for years to come. Jane Cook, like many biculturals and literate bilinguals, such as Nowell, Beynon and Hunt, served as an interpreter and interlocutor for community members, anthropologists, Christian missionaries and colonial officials. Daughter of a white fur trader and schooner captain and a Kwakwaka’wakw noblewoman, she had lived with Alfred and Elizabeth Hall, Anglican missionaries. She worked as translator and culture broker for Franz Boas, Edward Curtis, the McKenna-McBride Royal Commission and the courts. Excerpts from archival letters and petitions she wrote for members of her own community are woven with descendants’ memories, for instance, helping to sell two poles to Stanley Park for elderly chiefs and getting medical care and relief set up for widows, divorcees and their children. Through the stories of grandchildren and photographs we see her as a Victory gardener, a member of the IODE and Red Cross, highly patriotic, buying Victory Bonds—and losing a son in World War I. We also see her active in the Anglican Women’s Auxiliary, organizing, translating Sunday sermons and the Bible into Kwak’wala, reading everything she could get her hands on. We see how her blended cultural position allowed her to challenge traditional gendered political positions, becoming a founding and active member of the Allied Tribes of BC, alongside the men, while remaining an active midwife and healer, married to the successful seiner, businessman and last Hawinalat (Warrior Dance) initiate ‘Nage Stephen Cook, with whom she had 16 children.

The book is deeply—successfully—collaborative, with past and present lived stories intertwining. It truly feels like it is co-written with a clan. Presenting this photographic, archival and oral collection alone would have been a major contribution to the historical record. It would fit into the works and records of other Christianized indigenous rights advocates, such as the Reverend Peter Jones in Ontario. It presents an important female voice to contrast well with the life history of a man born the same year, Charles Nowell, in Smoke From Their Fires (1941), collected by Clellan Ford; Harry Assu’s Assu of Cape Mudge (1989) by Joy...

pdf

Additional Information

ISSN
2292-3586
Print ISSN
0003-5459
Pages
p. 241
Launched on MUSE
2014-05-14
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.