Abstract

Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 228-241
Launched on MUSE
2014-04-14
Open Access
No
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