In lieu of an abstract, here is a brief excerpt of the content:

  • From the Editor
  • Kathy Foley

This is an issue that exemplifies the variety of performances, covering all the major geographic areas and including modern, traditional, and modern-traditional work; we even have two contrasting views of a recent Suzuki production in Taiwan. I thank the assembled authors for their work and patience. With the help of Marlene Pitkow and Rachel Cooper at the Asia Society, I was able to discuss the work of Beate Gordon, one of the founding mothers of Asian performance production in America. I thank the Yale Institute of Sacred Music and UCSC Arts Division, which supported me during the editing of this volume. [End Page v]

Kathy Foley
University of California, Santa Cruz
Institute of Sacred Music Fellow 2012–2013, Yale University


Additional Information

Print ISSN
p. v
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.