Abstract

The incorporation of interactive technology into the memorialization of the World War II incarceration of 120,000 Japanese Americans enables those with no prior connection to this history to role-play the internment experience. This essay compares the author’s digital role-playing game Drama in the Delta with the Broadway-bound musical Allegiance, arguing that the shared impulse to use performance to walk in internees’ shoes threatens to eclipse historical understanding with an uncritical form of empathy.

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