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  • Leonardo Reviews On-line

November 2013

Action Science: Foundations of an Emerging Discipline, edited by Wolfgang Prinz, Miriam Beisert, and Arvid Herwig. Reviewed by Ian Verstegen.

After Art by David Joselit. Reviewed by Kieran Lyons.

How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris. Reviewed by Martha Blassnigg.

Le Rossignol (The Nightingale), directed by Christian Chaudet. Reviewed by Richard Kade.

Nancy Holt: Sightlines, edited by Alena J. Williams. Reviewed by Jonathan Zilberg.

Understanding Pain: Exploring the Perception of Pain by Fernando Cervero. Reviewed by Cecilia Wong.

October 2013

Black Africa, White Marble, directed by Clemente Bicocchi. Reviewed by Mike Mosher.

The Heretical Archive. Digital Memory at the End of Film by Domietta Torlasco. Reviewed by Jan Baetens.

Hold It against Me: Difficulty and Emotion in Contemporary Art by Jennifer Doyle. Reviewed by Florence Martellini.

Money, Trains, and Guillotines: Art and Revolution in 1960s Japan by William A. Marotti; From Postwar to Postmodern: Art in Japan 1945-1989, edited by Doryun Chong et al. Reviewed by Mike Mosher.

Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime by Elizabeth A. Kessler. Reviewed by Stephen Petersen.

“Raw Data” Is an Oxymoron, edited by Lisa Gitelman. Reviewed by Jan Baetens.

September 2013

Game Play, presented by The Brick Theater. Reviewed by Yvan Tina.

Insect Media: An Archaeology of Animals and Technology by Jussi Parikka. Reviewed by Anthony Enns.

Surrealist Ghostliness by Katharine Conley. Reviewed by Rob Harle.

Tromper l’ennemi: L’invention du camouflage moderne en 1914-1918 (Deceiving the Enemy: The Invention of Modern Camouflage, 1914–1918) by Cécile Coutin. Reviewed by E. Malcolm Parkinson.

Visual Histories: Photography in the Popular Imagination by Malavika Karlekar. Reviewed by Aparna Sharma. [End Page 198]



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Launched on MUSE
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