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This essay addresses the implications of Margaret Thatcher's explicit criticism of Bloomsbury in her memoir, The Path to Power. Thatcher and Woolf circulate as icons of opposing cultural politics in a struggle that has persisted from the 1920s until now. Woolf's attitudes to middlebrow culture, exemplified by the representation of London suburbs in her writings, are antagonistic to Thatcherite thinking, a worldview that holds sway not only in critical attitudes to Woolf and Bloomsbury but also in the public posture of American politicians. Woolf's attitudes to class form a resistance to such postures.