Abstract

This article considers Eve Ensler's The Vagina Monologues in the latter part of the 2000s, in respect of tensions between Second and Third Wave feminism in an era of "raunch culture," in the contexts of exploratory university teaching and in performance, and against the background of experiences of cultures of feminist activism in Greater Manchester, and the trashier end of feminist literature.

Additional Information

ISSN
1092-311X
Print ISSN
2572-6633
Launched on MUSE
2014-03-18
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.