| ARDOIN, Paul. | “Space, Aesthetic Power, and True Falsity in The Known World” ..........................(638) |
| BAKER, Timothy C. | “Catherine Sinclair, Domestic Community, and the Catholic Imagination” ........(143) |
| BECKETT, SAMUEL. | See Pedretti. |
| BENZIMAN, Galia. | “Thrust beneath the Carpet: Hardy and the Failure of Writing” ..........................(198) |
| BOWEN, ELIZABETH. | See Linett. |
| BOWSER, Rachel A. | “Visibility, Interiority, and Temporality in The Invisible Man” ...................................(20) |
| CAMERON, S. Brooke. | “‘She is Not a Lady, But a Legal Document’: The Tattoo as Contract in Mr. Meeson’s Will” ................................................(178) |
| CATHER, WILLA. | SPECIAL ISSUE: See Clere, Harris, Homestead, Jaillant, Johanningsmeier, Lavin, O’Brien, Palleau-Papin, Reynolds, Ronning, Squires, Thacker. |
| CLARE, Ralph. | “Family Incorporated: William Gaddis’s J R and the Embodiment of Capitalism” ..........................................................(102) |
| CLERE, Sarah. | “Cather’s Editorial Shaping of Sapphira and the Slave Girl” ................................(442) |
| COETZEE, J. M. | See Vermeulen. |
| COLLADO-RODRÍGUEZ, Francisco. | “Textual Unreliability, Trauma, and the Fantastic in Chuck Palahniuk’s Lullaby” ..........................................................(620) |
| CONRAD, JOSEPH. | See Dryden. |
| DAILEADER, Celia R. Caputi. | “Othello’s Sister: Racial Hermaphroditism and Appropriation in Virginia Woolf’s Orlando” ............................................(56) |
| DOS PASSOS, JOHN. | See Frattarola. |
| DRYDEN, Linda. | “‘The Difference between Us’: Conrad, Wells, and the English Novel” ....................(214) |
| DUVALL, John N. | “Homeland Security and the State of (American) Exception(alism): Jess Walter’s The Zero and the Ethical Possibilities of Postmodern Irony” ..........................................................(279) |
| EDGEWORTH, MARIA. | See Weiss. |
| FAIRBANKS, A. Harris. | “Ontology and Narrative Technique in Kazuo Ishiguro’s The Unconsoled”............(603) |
| FRATTAROLA, Angela. | “The Limitations of Vision and the Power of Folklore in John Dos Passos’s U.S.A.” ............................................................(80) |
| GADDIS, WILLIAM. | See Clare. |
| HAGGARD, H. RIDER. | See Cameron. |
| HARDY, THOMAS. | See Benziman. |
| HARRIS, Richard C. | “‘Dear Alfred’/‘Dear Miss Cather’: Willa Cather and Alfred Knopf, 1920–1947” ..........................................................(387) |
| HOMESTEAD, Melissa J. | “Willa Cather, Edith Lewis, and Collaboration: The Southwestern Novels of the 1920s and Beyond”................(408) |
| ISHIGURO, KAZUO. | See Fairbanks. |
| JAILLANT, Lise. | “Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series” ...................(476) |
| JAMES, HENRY. | See Walker. |
| JOHANNINGSMEIER, Charles. | “The Making of ‘Die Tochter der Prärie [Daughter of the Prairie]’: Willa Cather’s Fictions in Germany, 1926–1952” ..........................................................(559) |
| JONES, EDWARD P. | See Ardoin. |
| LAVIN, Matthew J. | “Material Memory: Willa Cather, ‘My First Novels (there were two),’ and The Colophon: A Book Collector’s Quarterly” ..........................................................(500) |
| LEWIS, Michael Jay. | “The Art of the Incredibly Serious: Native Son as Künstlerroman, Native Son as Fiction” ...........................................(234) |
| LINETT, Maren. | “Modes of Dislocation: Jewishness and Deafness in Elizabeth Bowen” ........(259) |
| NEW REVENGE NOVEL. | See Wiggins. |
| O’BRIEN, Sharon. | “Possession and Publication: Willa Cather’s Struggle to Save My Ántonia” .........(460) |
| PALAHNIUK, CHUCK. | See Collado-Rodríguez. |
| PALLEAU-PAPIN, Françoise. | “Slowly, but Surely: Willa Cather’s Reception in France” .........................................(538) |
| PEDRETTI, Mark. | “Late Modern Rigmarole: Boredom as Form in Samuel Beckett’s Trilogy” ..........(583) |
| PULSIFER, Rebecah. | “Reading Kitty’s Trauma in Rebecca West’s The Return of the Soldier” ................(37) |
| REYNOLDS, Guy. | “The Transatlantic Virtual Salon: Cather and the British” .......................................(349) |
| RONNING, Kari A. | “Speaking Volumes: Embodying Cather’s Works”..............................................(519) |
| SINCLAIR, CATHERINE. | See Baker. |
| SQUIRES, Ashley. | “The Standard Oil Treatment: Willa Cather, The Life of Mary Baker G. Eddy, and Early Twentieth Century Collaborative Authorship” ......................................(328) |
| THACKER, Robert. | “‘as the result of many solicitations’: Ferris Greenslet, Houghton Mifflin, and Cather’s Career”...............................(369) |
| VERMEULEN, Pieter. | “Abandoned Creatures: Creaturely Life and the Novel Form in J. M. Coetzee’s Slow Man” ...............................................(655) |
| WALKER, Casey M. | “Intimate Cities: The Portrait of a Lady and the Poetics of Metropolitan Space” ..........................................................(161) |
| WALTER, JESS. | See Duvall. |
| WELLS, H. G. | See Bowser; see Dryden. |
| WEISS, Deborah. | “The Formation of Social Class and the Reformation of Ireland: Maria Edgeworth’s Ennui” .............................(1) |
| WEST, REBECCA. | See Pulsifer. |
| WIGGINS, Kyle. | “The New Revenge Novel” ....................(675) |
| WOOLF, VIRGINIA. | See Daileader. |
| WRIGHT, RICHARD. | See Lewis. |
Index to Volume 45
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